#155 3-TM3-THIOMESCALINE; 3,4-DIMETHOXY-5-METHYLTHIOPHENETHYLAMINE
|[3D .mol structure]|
A suspension of 12.5 g of crude 5-formyl-7-methoxy-2-oxo-1,3-benzoxathiole in 100 mL MeOH containing 28.4 g methyl iodide was treated with a solution of 12 g NaOH in 100 mL warm MeOH. The mixture was held at reflux for 1 h and then the solvents were removed under vacuum. A solution of 14.2 g methyl iodide in 100 mL DMSO was added and the mixture stirred for 1 h. An additional 2.4 g of NaOH and 16 g methyl iodide were added, and the stirring was continued for another 2 h. The reaction mixture was poured into 800 mL H2O, acidified with HCl, and extracted with 3x75 mL CH2Cl2. The pooled extracts were washed with 5% NaOH, then water, and the solvent removed under vacuum. Distillation at 110-130 °C at 0.4 mm/Hg gave 0.9 g 3,4-dimethoxy-5-(methylthio)benzaldehyde which had a mp of 57-58 °C after crystallization from EtOH. Anal. (C10H12O3S) C,H.
A solution of 0.9 g 3,4-dimethoxy-5-(methylthio)benzaldehyde in 100 mL nitromethane containing 0.5 g anhydrous ammonium acetate was held at reflux for 4 h. The excess nitromethane was removed under vacuum, and the deep brown residue was dissolved in 4 mL hot MeOH. On cooling, the yellow crystals were removed by filtration, washed with cold MeOH and air dried yielding 0.4 g yellow crystals of 3,4-dimethoxy-5-methoxy-beta-nitrostyrene, with a mp of 119.5-120.5 °C after recrystallization from EtOH. Anal. (C11H13NO4S) C,H.
To a solution of 1.0 g LAH in 25 mL anhydrous THF under He, cooled to 0 °C and vigorously stirred, there was added, dropwise, 0.7 mL of 100% H2SO4, followed by a solution of 0.7 g 3,4-dimethoxy-5-methylthio-beta-nitrostyrene in 10 mL anhydrous THF. The mixture was brought briefly to a reflux, cooled again, and the excess hydride destroyed with H2O in THF, followed by the dropwise addition of 15% NaOH until the solids became white and granular. The solids were removed by filtration, the filter cake washed with THF, the mother liquor and filtrates combined, diluted with an equal volume of Et2O, and extracted with 2x40 mL dilute H2SO4. The aqueous extracts were combined, washed with Et2O, made basic with aqueous NaOH, and extracted with 2x50 mL CH2Cl2. The solvent was removed from these extracts and the residue distilled to provide 0.4 g of a white oil boiling at 124-130 °C at 0.2 mm/Hg. This oil was dissolved in 8 mL IPA, neutralized with concentrated HCl, and diluted with 30 mL anhydrous Et2O. The white crystalline product was the monohydrate of 3,4-dimethoxy-5-methylthiophenethylamine hydrochloride (3-TM) which melted at 167-168 °C and weighed 0.29 g. Anal. (C11H18ClNO2SaH2O) C,H,N.
DOSAGE: 60 - 100 mg.
DURATION: 8 - 12 h.
QUALITATIVE COMMENTS: (with 80 mg) I went into the experience with the question of whether it (3-TM) might be a writing aid. I found a considerable color enhancement (this was at the one hour point) and there seems to be no problem in writing physical words. But there is no urge to, as there are no new things. This is progressing into something more complex and there is an interesting shielding effect. I still have the desire to write and I sense that many things are going on underneath, but my conscious control suppresses their availability. It is now the third hour. Music. I would like to try this material at 100 milligrams. Now awareness seems much more pointed. I have need to build a writing table. This material is physically relaxing, insisting repose, but with conflicting energy. Seated in a chair, but I seem unable to find a comfortable position in order to write.
Pine trees seem a good place To start. Notwithstanding this table Of pine, unfinished, unruled, The pulp upon which we reveal The unnerved thoughts. How casual we are at discarding Our feelings, a rubble we Leave behind for the living. Who among us can absorb The spiritual load we see as What others carry.
This material is not poetic, I should say, does not enhance poetry, prose is much more comfortable. I think I should let the experience develop further. It is now the fifth hour. There is something of a violence (emotional) suppressed in all of us, a socially repressed vision of oneself in a direct conflict with oneself. The music has a lot to do with this material. And it changes with time. In the first part there is sublimity, peacefulness, mild intoxication. And a lot more tension in the part that followed the four hour point. There the territories seem much better defined, with the benign shielding of the first half largely dissipated. I have developed a slightly irritated view of myself, probably wanting once again to regain the serenity.
(with 80 mg) Delightful day. Not insight depth but persistent feeling of pleasant good humor. It is good-natured and very verbal. Everyone talked and the instinct was to express and comment on everything. There were no visuals during the first three to four hours--with the eyes open one could barely detect the intoxication. Eyes closed--quiet lovely window, no images. About +2. And then someone brought in a radio with music on, into the room. There was a tremendous eruption of closed-eyes visual images and fantasy. Bright colors, funny, rich and elaborate. Marvelous. I was suddenly at +3. Next day, no hangover. Pleasant feeling persisted.
(with 100 mg) I found the day had two halves. The first few hours were characterized by occasional defensiveness (paranoia) and irritability. In interpersonal interactions there was a guardedness, due to a feeling of vulnerability. I went off by myself, and with eyes closed, there was rich imagery and color synthesis to musical imput. And then things smoothed out, and I could express an easy flow of ideas and concepts without always watching my step. And then all too soon, the intensity of the experience began fading away.
EXTENSIONS AND COMMENTARY: The amphetamine which would correspond with this base would be 3,4-dimethoxy-5-methylthioamphetamine (3-T-TMA) and should be an active compound. Its synthesis should be straightforward from the benzaldehyde described above, employing nitroethane rather than nitromethane. It is apparently an unknown compound.
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